Nichole Banducci was with her family when wildfire flames, fanned by Santa Ana winds, raced over the Santa Monica Mountains. As the deadly Woolsey Fire descended into Malibu in the early morning of Nov. 9, 2018, Banducci, her husband Brian, in-laws and three children prepared to evacuate. They loaded their dog, cat, rabbits and belongings into two cars, a van, a truck and their 1964 Shasta...
With more than half of Americans listening to podcasts and an estimated $1 billion in annual revenue expected by 2021, USC Annenberg and the Sacks Family Foundation are investing in the future of podcasting. Leveraging this explosive growth, the Luminary Fellowship program hopes to infuse the podcast industry with fresh voices and perspectives.
The program seeks...
Mobile devices are altering family life in Mexico, according to a first-of-its-kind study conducted by the USC Annenberg School for Communication and Journalism and Common Sense that examines device use, habits and attitudes of Mexican teens and their parents. More Mexican parents expressed concern about their teens’ use of mobile devices, and more teens reported feeling distracted and “addicted” to their phones than families in three other countries: United States, Japan and the United Kingdom.
It’s a sunny Los Angeles day. Professor of Communication François Bar has brought a new cruiser bike, along with its curious cart, to Sixth Street at San Pedro Street, where some unhoused Skid Row residents have come to know him by name. He isn’t out for a leisurely ride; the cart is an experiment designed with and for the homeless residents as a means to bring more electric power and internet accessibility to the area
Students create media for social change — with help from their professors, VICE Media and Gloria Steinem.
Her memoir explores the borders between Mexico and the United States, sanity and madness, science and mysticism, father and daughter.
A single bare bulb illuminates clothes on hangers, shoes tucked into corners and small foam panels, artfully arranged to dull the sound of traffic passing outside her Los Angeles apartment. Paola Mardo stands inside, door closed, speaking into a mic clipped to a stand. A recorder perched atop a folded stack of shirts monitors sound levels. Mardo begins reading her script from the iPhone she holds