Perry B. Johnson, Ph.D., is a music scholar, cultural historian and producer of several public-facing music and humanities projects. Her primary research and practice focus on music, popular culture and American cultural histories, with an emphasis on archives, public scholarship, power, identity and belonging. Johnson is at work on the manuscript for her first solo monograph, a cultural history of sexual misconduct in America’s popular music industries. With this project, Johnson interrogates the framing of incidents of misconduct to track how the sector’s historically grim collage of abuse is structurally, institutionally and ideologically produced and sustained by traditional and social media.

At USC, Johnson teaches in the Annenberg School of Communication. Her courses for the Spring 2026 term include COMM 384: Interpreting Popular Culture and COMM 360: Los Angeles: Communication and Culture. Johnson is also the producer of Arts Talk, the official podcast of the USC Arts Now initiative.

Johnson is the associate producer and co-host of the forthcoming second season of Outside the Lyrics, an award-winning, Emmy-nominated documentary series from PBS that explores musical cultures and their subcultural offsprings through the stories of artistic pioneers.

In her collaborative work, Johnson is co-founder and co-director of The Sound of Victory (SOV) (with Dr. Courtney M. Cox, University of Oregon), an interdisciplinary initiative dedicated to exploring the historic relationship between music/sound and sport. SOV examines how identity, political economy and cultural mythology operate across the intertwined fields of sport and music/sound and analyzes the connected histories of these global spheres of entertainment through multimedia projects, original scholarship and public programming. As part of this work, Johnson is co-editor of the forthcoming volume, The Sound of Victory: Music, Sport, and Society (August 2026, NYU Press), an interdisciplinary collection that joins international scholars, journalists and practitioners to critically examine the relationship between music/sound and sport through engagement with key moments, movements, figures and events. Together, Johnson and Cox are also working on their second book project, a nuanced cultural history of the NFL’s Super Bowl halftime show, which explores this ritualized entertainment spectacle as a distinctive American production.

Currently, Johnson is co-curating Playing Beyond the Field, a three-part SOV series that will take place over spring 2026 at the National Museum of African American Music in Nashville in partnership with the Vanderbilt Sports & Society Initiative. Playing Beyond the Field explores the dynamic relationship between music and sport, with a particular focus on Nashville’s robust African American musical and sporting legacies.

Johnson also co-hosts and produces the Sounding Off podcast, an SOV audio series that highlights the voices of athletes, artists, DJs and public intellectuals working at the intersection of music/sound and sport. Episodes highlight conversations with such interlocutors as writer/poet, cultural critic and MacArthur Fellow Hanif Abdurraqib; baseball historian and sportswriter Shakeia Taylor; Los Angeles Dodgers’ DJ Severe; WNBA player Sydney Colson; and NFL Super Bowl XLVI champion Spencer Paysinger, among many others.

In her production work, Johnson has produced and organized events at The Getty Center, Los Angeles County Museum of Art (LACMA), Hammer Museum, La Brea Tar Pits, The Ebell of Los Angeles, Los Angeles Public Library, Los Angeles’ historic Palace Theatre, Regent Theater, and more.

Johnson received her Ph.D. in communication from USC Annenberg, where she had a graduate affiliation in the Department of Gender & Sexuality Studies and was a research fellow with The Popular Music Project at USC Annenberg's Norman Lear Center. Prior to returning to USC Annenberg, Johnson was a postdoctoral fellow at the University of Pennsylvania at the Annenberg School for Communication’s Center for Media at Risk with a joint appointment at the Annenberg Center for Collaborative Communication.