Tim Page is a professor in both the Annenberg School of Journalism and the Thornton School of Music at the University of Southern California.
Page won the Pulitzer Prize for criticism in 1997 for his writings about music in The Washington Post, where he has held the position of chief classical music critic since 1995. Prior to coming to the Post, he served as the chief music critic for Newsday and as a music and cultural writer for The New York Times. During his years in New York, he was the host of an afternoon program on WNYC-FM that broadcast interviews with hundreds of composers and musicians, including Aaron Copland, Virgil Thomson, Dizzy Gillespie, Philip Glass, Meredith Monk and Steve Reich. An interview with Glenn Gould, comparing the pianist's two versions of Bach's Goldberg Variations, was released as part of a three-CD set entitled A State of Wonder in 2002 that became a surprise best-seller.
Page became interested in the life and work of American author Dawn Powell in 1991 and set to work interviewing her surviving friends and family. With the help of Powell's cousin John F. Sherman, he launched a challenge to the author's executrix, which led directly to the discovery of Powell's papers and the subsequent reissue of most of her books. To date, Page has edited Powell's diaries, letters, plays and short-stories, as well as written introductions to a half dozen of her novels. His biography "Dawn Powell" was published in 1998 and he edited and annotated the Library of America's two-volume collection of Powell's work in 2001.
In 1993, Page conceived and then served as the first executive producer for BMG Catalyst, a short-lived record label devoted to new and unusual music. Projects included "Spiked," an album of music by Spike Jones with liner notes by Thomas Pynchon; "Memento Bittersweet," an album of music by Chris DeBlasio, Kevin Oldham, Lee Gannon and other HIV-positive composers; "Night of the Mayas," the first CD devoted entirely to orchestral works by Silvestre Revueltas, Mexico's leading composer; two solo recital discs by violinist Maria Bachmann and several others. Page has also produced concerts at venues ranging from Carnegie Hall to New York's once-infamous Mudd Club. From 1999 to 2001, he was the artistic advisor and creative chair for the St. Louis Symphony Orchestra.
His books include "The Glenn Gould Reader" (Alfred A. Knopf, 1984), "Selected Letters of Virgil Thomson" (Summit, 1988), "William Kapell: A Documentary Life History of the American Pianist" (IPAM, 1992), "Music From The Road: Views and Reviews 1978 - 1992," an anthology of previously published work (Oxford University Press, 1992), "The Unknown Sigrid Undset" (Steerforth, 2001), "Tim Page on Music" (Amadeus Press, 2002), and "What's God Got To Do With It?: Robert Ingersoll on Free Thought, Honest Talk and the Separation of Church and State" (Steerforth Press, 2005). Page was born with Asperger's Syndrome, and is currently writing a memoir of his experience with the condition for Doubleday, to be published in 2009.